GRAFFITI PARK SCAN

Capturing Graffiti Art in 3D: A New Approach

Stephen Wilcox, a digital artist from Final Form Studios, recently embarked on an exciting project: capturing the vibrant graffiti art at Deloris Lake, a hidden gem nestled between Los Angeles and Las Vegas. Instead of traditional photography, Wilcox employed a novel approach: utilizing a DJI Mini 3 Pro drone to capture high-resolution video footage of the graffiti park.

Video still of a man in sunglasses holding a folded DJI Mini 3 Pro drone at a graffiti-covered abandoned gas station

DJI Mini 3 Pro was used for the scanning of this project in video mode

Aerial drone view of the abandoned graffiti-covered water park with empty pools, palm trees and desert mountains behind

Areal view of the full graffiti park

This innovative method offered several advantages. Firstly, the drone's aerial perspective provided unique angles and a comprehensive overview of the expansive artwork. Secondly, video footage, compared to still images, offered a richer dataset, capturing intricate details and subtle nuances of the graffiti art that might be missed in individual photographs.

Man in black standing under a graffiti-covered canopy topped with a weathered WATERPARK sign in the desert

If I had more time I would have loved to scan this old gas station area also but there were a few artist to the right of this frame working away.

The captured footage was then meticulously processed using Reality Capture, a powerful photogrammetry software. Photogrammetry is a technique that uses multiple images to create a 3D model of an object or scene. By analyzing the overlapping information in the video frames, Reality Capture generated a highly detailed 3D point cloud of the graffiti park. This point cloud served as the foundation for creating a realistic 3D model of the entire park, including every intricate detail of the graffiti art.

Drone video frame of a lone figure walking through burned rubble and graffiti-covered walls at an abandoned desert park

Walking through the park I was able to have the drone follow me around capturing some unique angles.

The final 3D model was then imported into Unreal Engine, a leading game development platform. Within this powerful engine, Wilcox could explore the virtual graffiti park in unprecedented detail. He could navigate through the space, examine the artwork from every angle, and even interact with the environment, creating a truly immersive digital experience.

Aerial drone still looking down on a flat-roofed, graffiti-covered concrete pavilion amid palm trees in the desert

Still image from the drone

RealityCapture split view with numbered control points on the graffiti building model beside a source drone photo

After bringing the video data into Reality Capture I set 13 reference points to better align the images. I did the alignment after the images had been aligned as the process is much faster and you can see areas that need improvement.

This project demonstrates the potential of drones and advanced software in capturing and preserving artistic expressions. By combining aerial videography, photogrammetry, and game engine technology, Wilcox has created a unique and captivating digital representation of the Deloris Lake graffiti park, allowing viewers to experience the artwork in a novel and engaging way. This approach not only showcases the beauty of the graffiti art but also presents exciting possibilities for future art preservation and digital experiences.

Click the link below to get access to the Unreal Engine Project

3D render of the photogrammetry-scanned graffiti building placed in a desert scene with a rocky hillside behind
Close-up 3D render of a corner of the scanned graffiti building with block-letter tags and a short concrete post in front
Front-on 3D render of the scanned graffiti building showing its open bays, purple lettering and a green cartoon face
3D render of the far side of the scanned graffiti building with large white block letters and WOKE on a column
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